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Where to take photos in Uzbekistan: the best spots and the best light
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Places in this article: Samarkand · Bukhara · Khiva · Tashkent

Where to take photos in Uzbekistan: the best spots and the best light

The in Bukhara is three different photographs in one day. Early in the morning the square at its foot is almost empty; in the late afternoon the low sun turns its brick gold; after dark it stands lit against a black sky. Most good pictures in Uzbekistan come down to the same thing: the right place at the right hour.

We are a Tashkent team, and we plan trips around light all the time. Here is where we send photographers in each city and beyond, what time of day works best, and the rules worth knowing before you raise a camera at a person, in a mosque, in the or with a drone.

The light: which hours work

For most of the year the sky here is clear, and that cuts both ways. From late morning to mid-afternoon the sun is high and hard: tiles look flat, shadows go black, and in summer the brick squares are hot to stand on. The good hours are at either end of the day.

  • First light. Empty squares and lanes, soft light on walls and portals. The best time for architecture with nobody in the frame.
  • The last hour before sunset. The low sun warms brick and clay and makes glazed tiles glow.
  • After dark. The in Samarkand and in Bukhara are lit up, and the deep blue sky just after sunset is the moment to photograph them.

Keep the middle of the day for interiors, covered bazaars and workshops, where the light comes in through openings and windows. If photography is the point of your trip, our Uzbekistan photo tour is planned this way: 12 days in Tashkent, Samarkand, Bukhara and Khiva, with free afternoons and a free morning in Khiva for first light.

Samarkand: where to take photos

Registan square in the evening, Samarkand
Registan square in the evening, Samarkand

The Registan. Three madrasahs around one square: the frame everyone wants. Come in the late afternoon, when the light falls across the facades, and stay after dark, when all three are floodlit; on some evenings a sound-and-light show plays across the madrasahs. We can book the Registan with its evening lights for any evening of your stay.

. A street of tiled mausoleums climbing a hillside, in places barely wider than a corridor. Go early, before the groups, when the lane is quiet and the carved tiles are in soft light. It is a place of pilgrimage, so keep your voice down and never photograph people at prayer.

and . The ribbed dome of Gur-e-Amir is at its best against a deep blue sky, and the gilded interior calls for a wide-angle lens and patience with the light. The portal of Bibi-Khanym is so tall that you need to step well back to fit it into the frame. Opening hours and tickets are in Samarkand sights: tickets and hours.

Bukhara: the minaret, the pond and the domes

The Kalyan minaret lit up at dusk, Bukhara
The Kalyan minaret lit up at dusk, Bukhara

Poi-Kalyan. Plan to come at least twice. Early in the morning you can photograph the minaret between the two portals with nobody in the frame; in the late afternoon the low sun turns the brick gold and lights up the turquoise domes of . Our guide to Poi-Kalyan has the details.

. This is where Bukhara spends its evenings: tables along the water and the lights of the madrasahs reflected in the pond. Look up at the simurghs on the portal of the , best at sunset.

and . Chor Minor and its four blue-domed towers are best in the morning or the late afternoon, when the lanes are quiet. At Bolo-Hauz, the carved wooden columns of the iwan are reflected in the pond in front of the mosque. Under the , carpets and brass make good pictures, and the sellers are part of them, so ask first.

Khiva: a whole town inside its walls

Ichan-Kala from the Islam Khoja minaret, Khiva
Ichan-Kala from the Islam Khoja minaret, Khiva

is small enough to photograph in a day, and it rewards an early start. At sunrise the lanes are empty and soft light falls on the clay walls. Around noon, sunlight comes through the openings in the roof of the and moves across its wooden columns. In the last hour of the day the tiles of the glow.

For the sunset view, climb the watchtower of the : from the top, the domes, minarets and flat clay roofs come together in one picture. Whether the is open for climbing is decided on the day. One rule of the town: a house door is a private door, however photogenic.

With a private guide in Khiva for half a day or a full day, you set the pace and stop where the light is. More in our guide to Ichan-Kala.

Tashkent: the metro, the bazaar and modernism

Panels on themes from Navoi’s poems at Alisher Navoi metro station, Tashkent
Panels on themes from Navoi’s poems at Alisher Navoi metro station, Tashkent

The Tashkent metro was closed to cameras for decades. Photography has been allowed since 1 June 2018, and the metro rules now give passengers the right to take amateur photos and video of the stations. Alisher Navoi, with its domes and ceramic panels from the poet’s works, and , with its medallions of cosmonauts, are the two we never skip. The route and the stations are in our guide to the Tashkent metro.

Above ground, is at its liveliest in the morning, under its blue dome; ask the sellers before you photograph them. The ensemble in the old city is an active place of worship: dress modestly and ask before you photograph inside. For the concrete sun-screen of the Hotel Uzbekistan and the other buildings of the Soviet decades, see Tashkent modernism.

The Fergana Valley: craftsmen at work

Ikat silk on a hand loom at the Yodgorlik silk factory, Margilan
Ikat silk on a hand loom at the Yodgorlik silk factory, Margilan

In the valley you photograph hands rather than domes. At the Yodgorlik silk factory in you can follow silk from the cocoons in hot water to the reeling machines, the marking of the ikat pattern on the warp and the hand looms. In , potters throw and paint their bowls in their own workshops.

Workshops are lit through windows, so the middle of the day works well here. These are people at their jobs: ask the master before you photograph, and keep the flash off. Our Fergana Valley crafts tour gives the region four days, with a whole morning at Yodgorlik and a session at the potter’s wheel in Rishtan. What to look for is in Margilan silk and Rishtan ceramics.

Beyond the cities: mountains, desert and the Aral Sea

The mountains near Tashkent

Mountain ridges at Chimgan, near Tashkent
Mountain ridges at Chimgan, near Tashkent

, Amirsoy and Lake are a day trip from Tashkent. Take the gondola at Amirsoy up to 2,290 m in the morning, then come down to the lake for the afternoon. The plan is in our Chimgan and Charvak day trip.

The desert

Yurt camp in the Kyzylkum desert near Aydarkul, panorama
Yurt camp in the Kyzylkum desert near Aydarkul, panorama

In the desert the light changes fastest, and the hour before sunset and the first hour after sunrise are what you come for, so stay the night. The yurt camps near Aydarkul, between Samarkand and Bukhara, stand far from city lights, and a night close to the new moon is the darkest for the stars. Near Khiva, our night in a yurt in the Karakum desert includes the Desert Sunset excursion, and the yurt camp by Ayaz-Kala lets you photograph the fortress walls at sunset and again at dawn.

The Aral Sea

The ship cemetery in Muynak
The ship cemetery in Muynak Arian Zwegers / Wikimedia Commons · CC BY 2.0

In , once a fishing port, the old fishing boats rest on the sand where the harbour used to be. Further on come the cliffs of the and the shore of the itself. It is a long way from Nukus, so our Aral Sea trip spends the night in a camp by the water, which gives you both the sunset and the sunrise there.

The rules: people, mosques, the metro and drones

  • People. Ask before you photograph a person. Never photograph people at prayer.
  • Mosques and shrines. In an active mosque or at a shrine, ask before you photograph, and dress as you would for a visit: shoulders and knees covered, a scarf for women.
  • Fees. Almost all historic sites can be photographed, but some charge a separate photo or filming fee set by the site itself, so ask at the ticket office. Museums set their own rules too.
  • Not to be photographed. Government buildings, military sites, airports and police stations.
  • The metro. Amateur photos and video of the stations are allowed.
  • Drones. Flying a drone needs prior permission from the Civil Aviation Agency or other relevant authorities; apply several weeks before your trip. Flying without permission is prohibited, especially near strategic sites and historic monuments, and can lead to a fine or the drone being confiscated. Without a permit, leave the drone at home.

Greetings, dress and the rest of our customs are in what to wear and how to behave in Uzbekistan.

In short

  • When: plan each day around first light and the last hour before sunset; keep interiors, bazaars and workshops for midday.
  • Samarkand: the Registan late in the day and after dark, Shah-i-Zinda early. Bukhara: Poi-Kalyan at dawn and again at sunset, Lyabi-Hauz in the evening. Khiva: empty lanes at sunrise, sunset from the Kunya-Ark.
  • How long: a full day plus an evening in each city, and one night in the desert or at the Aral Sea for sunrise.
  • Rules: ask before you photograph people and inside mosques; drones only with a permit; amateur photos in the metro are fine.
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